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LINES

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Over the past two decades, lines have emerged as a dominant motif in my artistic work. While the use of lines can be attributed to various influences, I posit that it originated from the fundamental geometric principle that the shortest distance between two points is a straight line. Although this principle does not directly apply to my artistic endeavors, it serves as a mental trigger for the concept of “lines.”

 

Consequently, I categorize my work into two distinct groups: those that specifically incorporate lines and those that do not. Employing both approaches occasionally provides a refreshing contrast to the other.

 

Lines have provided choices that I am still investigating. Recently, lines have become layered, enveloping compositions. I find the concept of viewing through the lines intriguing.​​

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